"The Faceless Ones" Getting Animated

The BBC has announced that the Second Doctor story, "The Faceless Ones," will be the next missing episode to get the animation treatment. The story was originally broadcast in spring 1967, with only parts one and three (of six) surviving today. Pre-orders are available here.

Animated Version of "The Macra Terror" Coming 2019

The BBC has announced that an animated version of Doctor Who: The Macra Terror will be released March 18. This story is one of many that was destroyed, sold, or recorded over when the BBC's warehouse ran out of space in the late 1960s/early 1970s, leaving only the audio. Pre-orders will be available later today.

Classic Doctor Who Coming to Twitch

The BBC has announced they will be holding a marathon of Classic Who episodes this summer on Twitch.tv. The marathon will run from May 29 to July 23 and will be available worldwide for free (there might be ads, IDK how Twitch works). A schedule can be found here.

Power of the Daleks Animation Confirmed

The BBC has confirmed rumors that Power of the Daleks will be getting an animated release.

It’s one of the Doctor’s most celebrated adventures and yet no complete film recordings of The Power of the Daleks are known to have survived. The master negatives were destroyed in an archive purge in 1974.

BBC Worldwide has announced that a brand new black and white animation based on audio recordings of the programme using the original cast, surviving photographs and film clips will be released 50 years to the minute after its only UK broadcast on BBC One.

The six half hour episodes feature the regeneration, or as it was then called ‘renewal’, of First Doctor William Hartnell into Second Doctor Patrick Troughton, as the Time Lord and his companions Polly (Anneke Wills) and Ben (Michael Craze) do battle with the Daleks on the planet Vulcan.

Doctor Who: The Power of the Daleks is being produced by the team behind the highly successful animation of lost Dad’s Army episode A Stripe For Frazer first released on BBC Store in February this year. The producer and director is Charles Norton, with character designs from acclaimed comic book artists Martin Geraghty and Adrian Salmon.

Charles Norton says, “The Power of the Daleks animation is the most ambitious Doctor Who archive restoration ever attempted and we’re all very honoured to be a part of such a an exciting project. Intelligent, suspenseful and magnificently staged, Power of the Daleks is one of the great lost classics of 1960s television and a superb example of the black and white era at its finest.”

Paul Hembury, Executive Producer, BBC Worldwide says, “Charles and his team are remarkably talented and passionate about Doctor Who and we are thrilled that fans will soon be able to enjoy this rather sinister but wonderful, classic story.”

Doctor Who: The Power Of The Daleks will be released on BBC Store on Saturday 5^th November followed by the DVD on Monday 21^st November.

• Register your interest in the BBC Store download
• Pre-order the DVD from Amazon and HMV (£20.42 RRP)

On Saturday 5^th November there will be a special screening of episodes 1-3 of Doctor Who: The Power of the Daleks at BFI Southbank, London which will also include a Q&A with Anneke Wills, Charles Norton and Frazer Hines. Further information will be available from bfi.org.uk from Monday 19^th September.

Power of the Daleks Getting Animated

Patrick's Troughton's first Doctor Who story, Power of the Daleks, is getting an animated release. Power is one of several stories that were recorded over or sold in the 1970s when the BBC's warehouse filled up. All six episodes of the serial (which aired in fall 1966) are currently missing except for a few short clips and the audio.

UPDATE: According to one source, this is just a rumor

Horror Channel Panel with Tom Baker

The Horror Channel did a press panel on Monday in regards to it airing Classic Who episodes. You can check out the full transcript below

Now that the Horror Channel are showing classic episodes, which of your episodes was the most horrific and why?

Oh, I thought they were all great comedy when I was doing them. Though I suppose they are going to talk about, the very obvious, Talons of Weng Chiang and things like that, all that rather spooky stuff...and there was one about Pyramids....Pyramids of Mars.

Do you think Doctor Who should be horrific? Is that a key part?

Well....Yes. I think it should be whatever people want it to be. I mean, I'm very interested in Horror. Not so much now, horror is an actuality of me now. We like to be frightened...I heard a woman the other day in Waterstones who said "Have you got anything...murder? Gruesome? Have you got anything like that?" and when you look, that's the biggest selling thing, isn't it? We all want to get away from sanity and chastity and virtue and be frightened and enter another world when in reality, of course, we want nice neighbours and no crime, don't we? It's that lovely area of our imagination which says "let's get out of here and into our imaginations", I think.

What's it like seeing the fans enthusiasm for your character to this day?

I dare say you're referring to ExCeL, aren't you? [50th Anniversary convention] Seeing the fans enthusiasm donkey's years after I've left is really quite extraordinary and also the intensity of their emotions. I get lots of mail, probably 10 a day or something like that, and they're all emotional. People thanking me and reminding me of their childhood and how happy they were. In those days, television was so…allowed us to cohere more, didn't it, without video recorder. You had to watch it to watch television in real-time and talk about it the next day, otherwise you were out of the loop. And so people stop me and say sweet things.

A man stopped me in Oxford Street and said he couldn't believe it. He stopped me and said "I can't believe it" and I caught a glimpse of myself in the shop window and I thought I can't believe it either. He kept saying "I can't believe it" and he said "Look, when I was a little boy I was in care in Wales somewhere in a home. Nobody wanted us. Nobody wanted me." And then his eyes came to tears and he said "and you made a difference." I was terribly touched by that. I made a difference. And I went to speak to him and then he couldn't speak. He just gave little eloquent punch that sometimes people do. And he was gone.

So those little encounters....the other day, a man wrote to me and he was getting married. He met his girlfriend in a queue when I was signing books. The queue was so long, he was introduced to this girl and by the time he got to me, he was engaged. In America, of course, in the long queues, some people met in a queue and by the time they got to me, they were married. And so this fellow now wants me to actually conduct the wedding. I had to tell him, 'listen, I checked the laws out.' I googled it up. And it wasn't allowed. I thought it might be a fun photo shoot, but it's not allowed. I'd have to do a course and I'm not in the mood for becoming a registrar.

This season on the Horror Channel is going to involve other Doctors as well. Is the fact that there are other actors as well something that you have reconciled with or was that always an uncomfortable truth for you?

Well, it only recently dawned on me that there were other Doctors. I don't know them and I've got no desire to know them. And of course, I've never watched them. I thought, it was only fair never to watch them, because I didn't watch my own myself. I think all I wanted to do was do it.

You see, the thing is, I can say it now because it doesn't really matter what I say. I was playing Doctor Who before I got the part. I didn't watch it because I was so opinionated about which shots they use. I just celebrated coming out of obscurity and into being a children's hero and not to be soppy about it but it really gave me enormous pleasure and I did a lot to promote the programme and still do.

When you came back and appeared with Matt last year, was that fun?

Going to Cardiff on a winters morning at four o'clock couldn't possibly be fun but it was nice and I didn't understand the cameras anymore because of the HD, so I was a bit uneasy. But Matt Smith was a charming young man and we did the scene, which people liked a lot.

I have to tell you also that I had a very poor background in Liverpool so I wanted to be – everybody wants to be loved and admired and everything – I always wanted to be adored, like lots of people. I bet you'd like to be adored, wouldn't you? Don't be smug... And so when it happened and suddenly I was adored, I was ready for. I really was ready for it and of course I've never recovered from it. And also of course I'm still playing the part for Big Finish, Big Finish Productions. I think I've got 16 or 18 adventures so it's still going on. It doesn't matter that I can't walk very well now because that's the lovely thing about audio. So it was a happy time and it goes on being happy.

But listen, are you interested in happiness? I mean, if you want misery I can change tack...

How does it feel when you are approached by young fans who probably weren't even born when the classic series of Doctor Who aired?

I'm not approached now by young fans. I'm approached by early middle-aged fans. Sometimes they have their children with them, and then something charming happens. I usually pass over a Jelly Baby and I have lots of small coins because children adore money. I say "are you alright for money" to a little boy and he's like "Well, no", so I give a pound and a 20p. And then I say, look, if you meet a begger, give him the 20p and you can keep the pound and he said "alright". He looks at his father and thinks I'm mad. Fortunately, my wife isn't very poor so I've got a pocket full of change. I can't bear poor women, they make me feel so insecure. Even when I was young, someone said that it's a bit like earache. You can't stop thinking about it. When you're poor and you go to bed thinking "Christ I'm poor", when you wake in the night for a pee and you think "I'm still poor" and when it comes to passion and lovemaking, being poor kinda gets in the way I think anyway. You say "darling, this is marvellous, absolutely marvellous. What did you say? What do you mean you're still poor?" And all passion flies.

Speaking about the other Doctors, do you have any advice for Peter Capaldi?

Ah, no. No, I don't have any advice for anyone. Not for anyone, certainly not someone who's going to be playing Doctor Who. He's a very accomplished actor; I've seen him do those mean things, you know, swearing into his mobile.

Nobody has ever failed, have they? Nobody has ever failed, so there you are. He's going to be alright.

Going back to the 50th Anniversary, do you have a clear idea, or an opinion, as to who your character was? Was he an older 4th Doctor or.....?

Well, typical of the BBC, nobody knows. It could be anything. It could be the next director general for I know. The thing with the BBC is you've really got to be able to suspend your disbelief, I mean anything can happen at the BBC. I mean, the monsters on Doctor Who were never so amazing as some of the monsters on the 6th floor.

Which was the best Doctor Who villains and monsters?

Well, I like them all. I mean, somehow I always wanted to be more friendly towards them, but you know, I liked them all I think. The Daleks, of course, were always shouting and always being beaten. They never learned anything. I used to like the ones that are grizzly. You know, sticky. That... stickyness.

If you could play any villain, which one would you like to play?

I was in Frankenstein: The True Story and I was going to be Frankenstein, the monster, and Christpher Isherwood, who wrote it, didn't think I was nearly pretty enough. It's true. It was a big Universal production and they gave it to a very good looking actor and they gave me the part of the ships captain. But, I've never really had the chance to play monsters. Except, of course, in my private life.

How does it feel to still be the longest running Doctor to this day?

Well, it's a bit daunting actually. You know, I'm about 29,200 days old. It's pretty daunting to think about it really. I can't believe it, you know – all that time has passed. Isn't it amazing; it almost makes me immortal – people are still stopping me in the street and saying: ‘you were really influential in my life.' I like that a lot. And if they say it nicely, I'll offer them money. Not advice, money. People are more interested in money than advice. Bugger the advice, give us the money!

In your last year in playing the Doctor in the original series, there was much made of the conflict between you and John-Nathan Turner and how you wanted to do the role and how he wanted to take the series. Was there a real conflict?

Yes, there certainly was. I didn't like his taste in anything at all. He knew that and he didn't like what I was doing because he wanted to put his mark on the programme, which was quite understandable. And when I offered my resignation, he embraced me with tears in his eyes very much. I was shocked at that. Of course, I thought he might have said "are you sure?". He was so relieved. After that, I think he sent me some flowers or something. And then we became quite good friends when all the tension was gone and it didn't matter any more. But oh yeah, there was arguments with how it should be done because it's often a matter of opinion about what's funny or what's dramatic and no two/three people agree all the time about that. But that's all in the past now. And then he died.

One of the reasons my career kind of stalled after Doctor Who, except for the audio, is that the word got around that after working with me, quite a lot of directors, you know... died. And some of them, I believe, in total agony. And the word had gone around and so naturally... I noticed that one I saw Trevor Nunn in the street, he crossed the road to avoid me. I said "TREVOR!" and he cut me and I was like 'why is he cutting me like that'. People are nervous of actors who make them die which I think is a bit wimpish.

Can you remember how you felt the first time you got a fan letter for playing the Doctor?

Yeah, it was a good feeling but now it wears me out because the fans are very demanding. When I open the letters there are lots of instructions; telling me where to sign, what to do. Also I can tell if people are anxious by their letters because I can't get the letters open. You know those people who put on lots of sellotape. Fortunately I have a man who helps me in the garden, so he opens the bad ones. But there are lots of instructions about where it should be and they ask the same questions; you know, which girl did I love the most... That brings back memories.

You wore a fair amount of costumes during your tenure. Were there any that you didn't like wearing or were you simply not fussed?

No no, I wasn't fussed because the costume directors I got on very well with, especially June Hudson. They're all flamboyant; I mean the last one I had was almost operatic, wasn't it. That kind of purple coat. I liked all that, and the big hats, and the scarf and everything. I'd like to have worn it in real life but I can't at my age be walking down the street with a big scarf and a walking stick. It just wouldn't look sexy.

Genesis Of The Daleks was one of several stories that addressed politics. How important is to you to have politics and meaning in the episodes that you did in the past?

In the character that I play, the Doctor is actually rather priggish, I think. And so my job was often to hide that. He was always terribly politically correct and I notice still in the scripts that are there he's always a bit soppy really and so I tried to hide that all the time. But all that stuff about when I was going to blow up the Daleks and then I had to say that lovely line, "have I the right?" which is a cue for a song really. The reason I didn't have the right was Terry Nation would have absolutely had me murdered. You know, it was his living, the monsters. So I just tried to play the way I was really. I've always felt myself to be a kind of benevolent alien really.

Mentioning the girls you were with, the Doctor Who world still mourns Elisabeth Sladen who died a couple of years ago. She was in the show when you joined, what particular memories do you have of working with her?

Well, Elisabeth Sladen, it was a terrible blow to me when she left because she mistakenly thought that a new producer at the end of her first year contract want to choose his own girl. Apparently that's very common. And she anticipated that by resigning and it was a terrible shock to me because we got on so well and she admired me so much and people who admire me really can be quite influential with me. I can be really quite persuaded if I get enough admiration and she was so good about that. She was replaced by Louise [Jameson], and Louise tells me – we're good friends now, often working together – I was very cold towards her and when I tell her it was because I was shocked because Elisabeth was gone, it also of course changed our physical relationship a lot because with Elisabeth Sladen, I used to be able to throw her into the tunnel and scramble after her and that was absolutely great but when Louise arrived playing the character of Leela, wearing very few clothes, I couldn't throw her into a pipe and then scrabble in afterwards without raising at least eyebrows. If you know what I mean… But gradually we became friendly.

Talking of Elisabeth Sladen, there were rumours that you were going to appear in The Sarah Jane Adventures. Was that something you were going to do?

I think it was being mooted at a time when Elisabeth began to be ill. I'd never seen it, you see, but she was so thrilled. I always had a terrific tender thing for her, you know. I never met her out of the studio except by the time she was doing that but I never got round to doing that. I don't accept many jobs now because I think I can't be bothered... I mean, what's the point of having a rich wife and chasing cheap jobs at the BBC? It just doesn't figure, does it? Just does not figure.

Do you know what it was they were going to ask you to do? Were you going to be playing the Doctor or...?

Well I mean of course I would have been playing the Doctor. Christ man, after I left Doctor Who and went... I mean when I played Macbeth, of course I did it in the style of Doctor Who because I felt I had to do it because the audience were all Doctor Who fans. The other actors didn't like that and afterwards some of the people said... one of the reviewers said "I had no idea that Macbeth was such a nice fellow" and exactly the same when I played in An Inspector Calls that rather dreary old sermon, some American fans used to come, they booked for a fortnight, and sat in the front row and in two days, they had got to know the play. And so they used to hang around in the corner, and then when I used to come on, they'd rush in and sort of look at me like [makes panting noise] like that. And the other actors, again had no sense of humour at all, they said "what's going on?" I said "I'm being adored, that's what's going on! What do you want to do, tell them to go away? They've bought the tickets. Didn't buy the tickets to see you", I said. And it's true. They didn't buy tickets to see him. He was big in Coronation Street but in the Doctor Who world he was nobody.

How did you actually land the part of Doctor Who?

It's only because I was in The Golden Voyage Of Sinbad and it was on next door to the BBC, the Odeon there, maybe about 50 yards from the BBC and when my name came up, they said "Tom's in a film next door", so they all piled into a taxi, because that's what they do at the BBC, and went next door. And they liked my playing a wizard or something and that got me the interviews and one thing led to another and then I was Doctor Who. As in the BBC, the cruelty when I got it, they said "right, you're on" and I said "oh that's marvellous". I was working on a building site making tea, that's all I was good for, and the guy said "however Tom…" - there's always a chilling ‘but' when you get good news, isn't there? – he said "you can't tell anyone for a fortnight". I thought "Christ, I haven't worked for 20 weeks. You know, I'm working on a building site and I had to keep my mouth shut for two weeks" – whole weeks – when I was going to play a big part. It was very painful but I was happy to do it. That's why I stayed so long. Why would I walk away from happiness?

Your last line in Doctor Who is very celebrated; "It's the end but the moment has been prepared for"...

Well, the fans liked lines like that. They like those lines, yeah. I wanted to put in more lines. I wanted to say things like "shall I compare thee to a summers day?" or things like that but the BBC didn't find that funny at all. They didn't find my ideas that I might have met Shakespeare, that in the TARDIS - which was bigger on the inside - it could be infinitely bigger, you know the girl could get lost somewhere and discover that I was a famous Elizabethan actor or whatever. They didn't like my ideas at all and I can't say I blame them. I do have some terrible ideas.

Throughout the 1970s there were numerous occasions when Doctor Who came under fire from some quarters for supposedly being too scary. What are you thoughts on that, at the time and now, and do you think it was something adults were worried more about than the younger viewers?

Well I don't know about now because I don't watch much television and things have changed. But I used to like the idea of children being scared. I used to live with an actor and he had three children in a big house in Muswell Hill, and sometimes we used to play games, it really was a big house and we put the lights out all over the place and I'd get them to count to 50 and then I'd creep about and it was marvellous the way these children would... and sometimes I could hear them squeaking with terror when I was creeping into cloakrooms or whatever. I mean, that idea of being frightened, children like playing at being frightened, don't they?

And the other thing is in television they can go much further than the cinema because in television they're watching in a domestic context – that's why it's so powerful I suppose – and when they look from what's frightening they can see fish fingers or whatever it is their mother is giving them – muesli nowadays I suppose. So I never heard anyone complain that I frightened them. I mean, just look at me and try and imagine me 40 years ago, if you can. No, I wasn't at all frightening really. Even now as an old man, I can't do fright. [Laughs]

Did you find K-9 a blessing or a nuisance?

Curiously enough, I've got rather bad arthritis now and I'm on some very powerful anti-inflammatory's and the doctor said there might be some side effects. And one of the side effects, two of the side effects I've had recently, is I've started calling my dog, Poppy, K-9 and the other thing is that I've been calling my wife Dorothy when really her name is Sue. So we've knocked off those pills and I'm just on patches now. So my memory's coming back a bit.

I didn't like K-9 at all because it meant that every time we had a shot in those days, I had to get on my knees which reminded me of the days when I was a Catholic and it was pretty bloody boring being reminded of those days. And so that was kind of boring and the dog couldn't move quickly in the old days. It was retrieved in rehearsal by John Leeson, actually playing the dog, he actually moved around. I said "why don't we give him another costume, looking like a dog, and why can't he answer the phone and play chess or something" but by that time the BBC had calculated that they were marketing K-9 and they didn't want any discussion about that. But finally I got used to it. One can get used to quite a lot.

Obviously Doctor Who's a huge part of your life and your career...

And you, by the number of questions you're asking!

Of all the other things you've done; stage, TV, film, what are the things you're particularly proud of?

Well, nothing has approached Doctor Who. Nothing at all. I've never recovered from it. That's why I'm so delighted to be still playing it. And in Waitrose and places like that, I'm still called the Doctor and lots of old ladies, who weren't always old ladies, recognise me and say charming things. They ignore Donald Sinden, and the other people and they come to me. An old lady said to me recently, after she had crashed into my trolley three times… I knew something was afoot. She said "It's so lovely to see you here Mr Baker, you know, I've been a widow for many years and I live quite close by..."

Yes, that's what I thought, yes. I thought, yes, that's good, you know, come on then, let's get to it." Then I noticed was that she also was on two sticks, so we postponed the encounter.

Do you regret never making the Doctor Who film that you planned? [Doctor Who Meets Scratchman]

There was a talk... I wrote a film called Scratchman with Ian Marter but nothing came of it. It's still in existence, circulating; people look at it and think they can make an audio or something like that. But I was out of my depth when it came to how you would market a film of Doctor Who because the BBC, you know, it would be difficult, too difficult.

You were initially going to be in The Five Doctors, which you eventually turned down. Years later you regretted that decision. Did that have something to do as mentioned earlier with your disagreements with producer John-Nathan Turner?

I turned down The Five Doctors because it wasn't long since I'd left and also I didn't... I'd left Doctor Who because I think I'd run my course but also I wasn't getting on very well with John – later we became friends – but when I realised he was going to produced something, I thought "no". Anyway, I didn't want to play 20% of the film. I wanted to be either – terrible admission, that – no, I didn't fancy being kind of just a feed for other Doctors. In fact it filled me with horror. Now of course, if somebody asked me to do a scene with some old Doctors, if they let me tamper with the script, it'd probably be quite droll. I'll think of that.

Have you still got any Doctor Who mementos?

No, I've no mementos left at all because it was all begged off me. I had lots and lots of things but when you're a sex symbol, I mean a hero, when you're a hero, all the charities... the thing about charities, I used to explain that... you remember those people who stop you for your banks, to stop you to sign up your bank details. I used to try to explain to them how terrifying it was. I said "listen man, I'm not going to give you any addresses" I said "I'll give you some money now" and they said "we can't have money, we want your particulars". I said "listen, the minute you give anything to charity, your whole life changes". Bang goes peace of mind. You're terrified of the phone going, a knock on the door. It's what charities do, you know, they're not interested in your peace of mind, they want a piece of your money and that's understandable.

I understand that perfectly and avoid them like the plague. That's the strategy, isn't it. I mean, I help out the local hospice. I often go down there because people who are dying seem always glad to see me. I remember one old lady – they take me round and they take photographers – one darling old lady who only had about, I suppose, 30 minutes to live. She held my hand so hard and looked at me with such ecstasy and she said "oh fancy seeing you here". She said "oh! oh! oh!". Eventually she stopped saying "oh!" just before she died and I realised that she thought she'd died and gone to heaven and I was the greeter. So I don't mind doing it down there because who could resist the hospice movement?

When you were approached to appear in the 50th anniversary special, did you ever contemplate not doing it?

Yeah, I did contemplate not doing it, and I was persuaded by a girl called Caroline Skinner, who was a producer. She came to meet me in Rye, some little hotel in Rye, the heMermaid Hotel, the antique place, and she begged me to be in it, you see. And she's a very persuasive girl, and she was very charming about it, she said I could tamper with the script or whatever. So I said yes to her. And then the script arrived a few months later and I didn't much care for it. [Finally notices sweets on the table] Are they jelly babies? Would you like a jelly baby?

I didn't much care for the script, you see, so I rang the BBC and said "listen, get me Caroline Skinner". They said "Who?" I said "Is that the Doctor Who production office?" They said "yeah". I said "And you're asking me who Caroline Skinner is? The producer?" "Oh [makes muffled phone noise], I'm so sorry, she's not with us anymore". It was only later I found out she'd been murdered, you know, by someone else at the BBC I suppose who was after her job. But I never heard of her again but by that time you see, I'd agreed to do it. I'm not sorry now. I miss meeting Caroline. She was very sweet.

Are you aware that your appearance [in the 50th] upset some of the other former Doctors?

Oh, I hope so yes [laughs]. Thanks a lot for reminding me of that! [laughs]. That really pleased me. The other thing that was a terrible mistake made actually... when they introduced us all... were you at ExCeL? Do you remember Nick Briggs who does those lovely friendly interviews? Well, there were about 3000 people in there and what he really should have done was the curtain should... there wasn't a curtain.... should have called us all on stage and introduced us. But he didn't. He quite reasonably thought "I'll start with the old man in case he's dead by the time I get to him: and he said "Ladies and Gentleman, Doctor Who the fourth, Tom Baker". I walked on into the light there and it was ecstasy. The applause was tumultuous, and I thought I hope this never stops. It went on and on and on, and I was messing around to extend it and everything. And that was a terrible mistake because I know as an old actor that in a room there is only such much laughter, only so much energy, and I'd taken about 30% of it in the first 40 seconds. I kept thinking "if this goes on, the other boys are going to come on in silence". So naturally, I went on. And they came on to less energy in the room. There you are, that's showbusiness!

As such an iconic star, how much does Doctor Who affect your life?

It informs my life almost entirely outside my home because I'm a famous fiction. People, everybody in the shops around, they all call me Doctor. And I respond as the Doctor and they present babies to me and say lovely things. So once I'm out in public, especially locally in Tunbridge Wells or Rye or whatever, it impinges on me all the time but in a very benevolent way, as if some one saying "darling", I mean "Doctor" – sometimes they say "darling" – and I say hello or bless their children or something like that...[Darth Vader ringtone begins, group groans, group interview ends]

Via

Horror Channel Classic Who Adverts

As recently announced, the Horror Channel is going to start showing Classic Who serials next weekend. Today, they recently some trailers for the event voiced by Tom Baker.

Enemy of the World and Web of Fear North America Releases

Details have come to light regarding the North American Blu-ray and DVD releases of The Enemy of the World and The Web of Fear. Both sets will cost US$19.98 and come with no special features. The Web of Fear will be released on April 22nd, while The Enemy of the World will be released on May 20th.

Tom Baker Talks Horror Channel

Tom Baker spoke recently about the recent announcement that Classic Series episodes are going to be played on the Horror Channel

Horror is my very favorite genre, so I am thrilled the classic Doctor Who series have been picked up by the Horror Channel. There was clearly a darker edge to my storylines, which I think brought a new dimension to the series. I remember hearing of the series scaring children – I wonder how the audience will react to the series today, all grown up. The Horror of Fang Rock is one of my favorite stories so I’m looking forward to that one!

Beginning on the 18th, the Horror Channel will be broadcasting episodes of Doctor Who's classic series, beginning with An Unearthly Child (the very first story) then one episode from each Doctor for the remainder of the weekend. They'll then be showing episodes on weekdays after that.

Classic Who on the Horror Channel

BBC Worldwide has agreed to allow the Horror Channel to broadcast 30 episode of the classic series on Easter weekend. These include An Unearthly Child, Genesis of the Daleks, The Curse of Fenric, and The Mind Robber among others. The event will start on Good Friday with An Unearthly Child and continue throughout the weekend with one story from each Doctor. After that, there will be daytime double-slots and evening single-slots on weekdays.

Director of programming Alina Florea said

Doctor Who is an iconic series and we are proud and excited to welcome this giant of British television to our channel. The line-up will include some of the most revered from seven classic Doctors – stories that terrified, thrilled and captured the imagination of children and adults through the decades. Doctor Who joins a long line of well-loved classic series we have endeavoured to showcase on Horror Channel over the last few years.

Sam Tewugwa, Commercial Director of TV and VOD Sales at BBC Worldwide said

This is a great new way for fans to enjoy classic Doctor Who stories. Our discovery of missing episodes of Doctor Who last year highlighted the fans’ appetite for classic episodes to be made more widely available and we’re delighted to be able to extend that through the series available on the channel

Recovered Episodes Screening

On Saturday the 22nd, Prince Charles Cinema in London will be putting on a screening of the two recently recovered Doctor Who serials. The Web of Fear and Enemy of the World will be shown back-to-back starting at 11:15am. Tickets go on sale this morning at 9am for £14. There will be a Q&A session with Deborah Watling and Frazer Hines following the screening.

New iTunes Doctor Who Content

So iTunes has added a fair deal of Doctor Who content to their US store. Most of the new content is disguised under various collections (such as monsters and samplers for various Doctors). In all, they appear to have added new content from each of first four Doctors as well as the Doctors Revisited specials.

They've also added a 50th anniversary collection, which is apparently where they'll add The Day of the Doctor after it comes out. Since iTunes TV releases are delayed by a day, you can expect it on the 24th. However, the season pass is available now, so you can purchase it and it will be available for download shortly after midnight.

Amazon also has a similar collection here.

The Enemy of the World and The Web of Fear DVD and iTunes Release

The two just-discovered classic series episodes are being released on DVD and iTunes. Both stories have been remastered and specially enhanced frame-by-frame and are available on iTunes worldwide right this moment.

The Enemy of the World

On Earth in the near future, the Doctor and his companions are enmeshed in a deadly web of intrigue thanks to his uncanny resemblance to would-be 21st century dictator Salamander. He is hailed as the ‘Shopkeeper of the World’ for his efforts to relieve global famine, but why do his rivals keep disappearing? How can he predict so many natural disasters? The Doctor must expose Salamander’s schemes before he takes over the world.

 The Web of Fear

The TARDIS narrowly avoids becoming engulfed in a cobwebby substance in space. It arrives in the London Underground railway system, the tunnels of which are being overrun by the web and by the Great Intelligence’s robot Yeti. The Intelligence’s goal is to drain the Doctor’s mind; can the Doctor sabotage the device before the Intelligence’s plan comes to fruition?

Official Press Release Regarding Found Episodes

Despite news leaking about the found classic episodes, the BBC have officially unveiled the contents of their press conference from earlier today. As reported earlier, 9 episodes from The Web of Fear and The Enemy of the World were found in an archive in Africa. The find brings Enemy to completion, with Web still missing part 3.

The official press release includes no new information, but I've made part of it available below. The two episodes have been made available to iTunes users in the UK here and here. Part 3 of The Web of Fear has been specially reconstructed for release. Presumably, the stories will eventually be released on iTunes to the rest of the world and DVD.

Nine missing episodes of 1960s Doctor Who have been found at a TV station in Nigeria, including most of the classic story The Web of Fear.

The black and white story sees Patrick Troughton's second Doctor battle robot yeti in the London underground.

Also recovered is a complete version of Troughton's six-part story The Enemy of the World.

It is thought to be the largest haul of missing episodes recovered in the last three decades.

"It's thrilling," said Mark Gatiss, an actor and writer for the 21st Century incarnation of Doctor Who.

"Every single avenue seemed to have been exhausted, every now and then something turns up - but to have two virtually complete stories out of the blue is absolutely incredible."

The BBC destroyed many of the sci-fi drama's original transmission tapes in the 1960s and 1970s.

However, many episodes were transferred on to film for sale to foreign broadcasters. It is often these prints found in other countries that are the source of retrieved episodes.

In this case, 11 Doctor Who episodes were discovered, nine of which were missing, in the Nigerian city of Jos.

The find was made by Phillip Morris, director of a company called Television International Enterprises Archive.

Mr Morris said: "The tapes had been left gathering dust in a storeroom at a television relay station in Nigeria. I remember wiping the dust off the masking tape on the canisters and my heart missed a beat as I saw the words, Doctor Who. When I read the story code I realised I'd found something pretty special."

The Web of Fear and The Enemy of the World Found

The results of today's press conference are still embargoed until midnight, but the Northern Echo has leaked the results (and subsequently pulled them). Apparently all of The Enemy of the World and part of The Web of Fear have been found in an archive in Nigeria. Apparently part three of The Web of Fear is still missing.

Both Patrick Troughton stories were uncovered by Philip Morris, director of Television International Enterprises Archive. They include the introduction of then-Colonel Alistair Gordon Lethbridge-Stewart (better known as the Brigadier). The Web of Fear also includes the villainous Great Intelligence, recently brought back by Steven Moffat for Series 7. Both stories will be made available on iTunes and DVD.

FOUR decades ago, Dr Who’s encounter with the mythical Yeti left a generation of children terrified and enthralled. The six part serial Web of Fear became one of the best-loved serials of the Patrick Troughton era. Sadly, in the 1970s the well-travelled time lord faced an enemy far deadlier than the Daleks – BBC beancounters.

In an effort to save money, tapes of classic shows were wiped and recorded over. In a matter of months some of the Doctor’s greatest adventures were lost… seemingly forever. The Web of Fear is one of the most missed serials, along with another Troughton era adventure, The Power of the Daleks. But now all six missing episodes have been found – in a dusty storeroom in Nigeria.

The previously lost nine shows were among 11 traced to a television relay station and the find brings back to life an entire six-episode story, while another is almost complete. The newly found programmes – which introduce the character of Alistair Lethbridge-Stewart, better known to audiences as The Brigadier – will be available on iTunes from today and will later come out on DVD.

Phillip Morris, the director of Television International Enterprises Archive, unearthed the programmes by looking up the records of overseas shipments of tapes made by the BBC.

The stories, The Enemy Of The World (1967) and The Web Of Fear (1968) and both starring Patrick Troughton as the second Doctor, have now been remastered by BBC Worldwide, the corporation’s commercial arm.

Mr Morris said: ‘‘I remember wiping the dust off the masking tape on the canisters and my heart missed a beat as I saw the words Doctor Who. When I read the story code, I realised I’d found something pretty special.’’

Only one episode of The Enemy Of The World – which featured Deborah Watling as companion Victoria and Frazer Hines, later to find fame in Emmerdale as Jamie – had remained in the archives, so the addition of programmes one, two, four, five and six have completed the story.

Fiona Eastwood, director of consumer products, BBC Worldwide, said: ‘‘We are thrilled with the recent discovery of The Web Of Fear and The Enemy Of The World and we’re very happy to be launching re-mastered versions of these treasured episodes to fans as we celebrate the 50th year of Doctor Who.’’

The BBC still had the first edition in the Web Of Fear story, and the new finds mean only number three is missing. The tale introduced Nicholas Courtney as Lethbridge-Stewart, who began with the rank of Colonel but later became Brigadier.

The missing episode has been recreated using 37 still images which were available and the original audio which survived.

Update from BBC on Lost Episodes

BBC News has issued a confirmation that lost episodes have, indeed, been found.

A number of early episodes of Doctor Who, which were believed to have been permanently lost, have been returned to the BBC. BBC Worldwide is expected to confirm the find at a press conference in London later this week. It follows weeks of speculation that some lost episodes had been located. Details of how fans will be able to watch the recovered episodes are also expected to be revealed later this week.

Press Conference for Lost Episodes Rescheduled

According to the Mirror, the press conference announcing the discovery of lost classic episodes has been rescheduled for the end of the week.

BBC worldwide were hoping to announce details of the exact lost episodes that have been found to the press tomorrow with a view to them being available to watch on Wednesday. But a BBC spokesman admitted today they were “not quite ready” and the press conference has now been rescheduled for the end of the week. A BBC insider added: “With all the excitement in the last few days about the lost episodes we are really keen to get the information out, but there are a few delays. We want everything to be ready and for this announcement to excite fans so they will have to wait a few days longer. They have been waiting nearly 50 years for this, so a couple of days shouldn’t make any difference.” The BBC has asked the Mirror not to reveal the new details of the London press conference, but fans should find out which episodes have been discovered by the end of the week.

According to the Guardian, the press conference will be held on Thursday.

More News on Lost Classic Episodes

For months now, rumors have been circulating that the BBC has unearthed a stash of lost Classic Series episodes. Rumors have been started, rumors have been denied, but now it seems the BBC are calling a press conference to deal with it all. On Tuesday, they are going to announce the discovery of some number of Classic Who episodes. How many episodes, exactly, remains to be seen, but rumors that it's over 100 have been denied.

This from the Mirror

BBC Worldwide has now called a press conference and screening on Tuesday in a London hotel.

The invitation sent out had he event details written inside the screen of a old-fashioned sixties style television set, complete with a dial to tune in the channels, seeming to hint at the type of news to come.

Journalists will be told exactly which old footage has been recovered, with some of it then broadcast on screen to watch.

A senior BBC source said: “There will be big news this Tuesday regarding lost Doctor Who episodes.

“It is great that in the show’s 50th year, fans will now be able to look back with classic episodes as well as looking to the future with the new film-length episode in November.

“For some fans watching their lost episodes will be like going back in time.”

A BBC spokesman played down the reports that more than 100 of the old episodes had been found.

However, when asked if there were some episodes to announce this week, he admitted: “There is a connection.”

Asked for a further official comment, he said he could not say anything more before Tuesday’s press screening.

UPDATE: According to the Radio Times, the episodes will be released for sale on Wednesday morning. They will be released on iTunes, and presumably DVD and other platforms as well.

Kate O'Mara on the Rani's Return

Actress Kate O'Mara, who played the villainous Rani in the '80s, has expressed interest in returning to the role.

I would love to come back. I have white hair now, but a lot of it, and I’m still very glamorous and so I won’t disappoint, I hope! I’ll still be wearing the tight leather trousers and high-heel boots, regardless of what age! That’s what the fans are expecting, so that’s what you’ve got to give them. I’m a much older woman and there’s a huge population of older people who, if they’re watching television, they can’t watch Hollyoaks. If you put a much older woman in Doctor Who, they can identify with it. I think it’s quite an interesting concept and if you remember things like Grimm’s Fairytales, the older woman is often the villainess, often the terrifying figure – why I do not know, but often she is. I think it’s an idea to be exploited.

It'd be interesting to see her return, especially considering that other classic villains who have returned (such as the Master and Davros) have been played by new actors. Moffat has already expressed disinterest in the Rani's return, but another writer may be more willing. I think if the Rani does return, it'd be likely that the casting directors would hire someone new for the role, so we should be aware of that possibility.

Returning Baddie for 50th Anniversary

According to one reliable source, Omega is returning for the 50th Anniversary. No actor has been confirmed to play the role of him yet. They could just be keeping it a secret (they managed to keep Jenna-Louise Coleman's appearance in Asylum secret) or it could be someone we already know about.

The classic series actors have all denied involvement in the 50th anniversary. I frankly think Moffat isn't stupid enough to not include them in the episode. I think either Davison, Baker, McCoy, or McGann (or some combination thereof) is going to play him. How? In the 1983 episode The Arc of Infinity, Omega stole the Doctor's biodata and duplicated him in order to create himself a body. He may still have that biodata and may be using it for another body (his original one was destroyed in The Three Doctors).

If it is a new actor, it's not going to be anyone we saw in location shooting. The BBC is going to want to keep it a secret, so all of his (or her) scenes would be filmed in Roath Lock studios. They're keeping everything very hush-hush, so we'll likely not get any new casting details for months. The only cast the BBC's announced has been those who were location shooting, and only then right before the actual filming. They're revealing as little as possible, but keeping all the glory of the announcements to themselves.